‘The Who’s Tommy’ Musical Being Revived on Broadway

Author Erica Banas // Rock Music Reporter

October 27th, 2023 6:19 PM

The Who’s Tommy, the stage musical adaptation of the 1969 Who album and the 1975 film, is coming back to Broadway.

Per Playbill, the revival of The Who’s Tommy is slated to open on March 28, 2024 at the Nederlander Theatre. Previews begin on March 8. A trailer for the revival is below.

The show had a sold-out run in Chicago this summer at the Goodman Theatre. It’s also being dubbed as a “newly reimagined production.” The original run of The Who’s Tommy opened on Broadway in 1993 and went on to win five Tony Awards.

Pete Townshend, The Who guitarist/mastermind behind Tommy, is attached to the revival. He said in a statement, “I can’t wait to see how this newly empowered show connects with younger Broadway audiences today.

Townshend added, “I hope the younger ones come, for they will identify in an entirely new and important way with Tommy’s tumultuous life.”

A New Rock Opera from Townshend

Townshend is no stranger to the rock opera, and he has another one in the works. The guitar icon shared this in a new interview with U.K.’s The Sun. The new rock opera is a musical score for his 2019 novel The Age of Anxiety.

Townshend noted, “I am also working on a documentary about the project, from its inception in 2007 until today. I’m probably two years off completing it, at which time I hope to perform it with a full opera and a cast of guest singers.”

The Age of Anxiety is the first novel Townshend ever released. A synopsis says the book “deals with mythic and operatic themes including a maze, divine madness and long-lost children.” The synopsis further notes, “Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.”

The Who: Their 10 Most Iconic Lyrics

• “Don’t Cry, don’t raise your eye/It’s only teenage wasteland”

  Townshend has always packed a lot of wryness in his lyrics and general demeanor. A great example can be found on “Baba O’Riley.” The “teenage wasteland” refrain wasn’t celebratory; it was more a cautionary tale of young people and their overuse of acid and other drugs, which was inspired by what he saw when The Who played Woodstock.

• “Meet the new boss/Same as the old boss”

  One of the best debates could be whether Townshend was a cynic or a realist. Perhaps it’s a little of column A and B. Like “Baba O’Riley,” “Won’t Get Fooled Again” and its closing line (“Meet the new boss/Same as the old boss”) was inspired by what Townshend saw at Woodstock. He later told Creem in 1982, “All those hippies wandering about thinking the world was going to be different from that day. As a cynical English arsehole, I walked through it all and felt like spitting on the lot of them, and shaking them and trying to make them realise that nothing had changed and nothing was going to change.”

• “Oh, who the f*ck are you?”

  “Who Are You” came to be after Townshend tied one on with the Sex Pistols’ Steve Jones and Paul Cook in New York City. The guitarist got so drunk, he was found passed out by a cop. The officer recognized Townshend and let him go if he could “get up and walk away.” Of course, that still didn’t stop Townshend from asking the cop, “Who the f*ck are you?” when he was awoken from his drunken slumber.

• “Things they do look awful c-c-cold/I hope I die before I get old”

  As long as more people are born, “My Generation” and its angst will resonate. Long after every member of The Who has left this mortal plane, young people will find this song, and it’ll hit as hard as it did for the Mods of the ’60s.

• “I’d gladly lose me to find you/Gladly give up all I got/To catch you, I’m gonna run and never stop”

  On the surface, “Bargain” seems like a love song. However, there’s a far greater depth than is expected. Townshend once said of the track, ” … This song expresses how much of a bargain it would be to lose everything in order to be at one with God.”

• “Listening to you, I get the music/Gazing at you, I get the heat/Following you, I climb the mountain/I get excitement at your feet”

  Closing out Tommy was “See Me, Feel Me.” These lyrics acknowledge the overall theme of senses in relation to the rock opera’s titular character.

• “I got your body right now on my mind/But I drunk myself blind to the sound of old T. Rex”

  To begin with, drinking while listening to T. Rex is just fun and highly recommended. Also, while The Who’s catalog is incredibly angsty, it’s nice to just hear an upbeat love song.

• “I’m happy when life’s good, and when it’s bad, I cry/I got values, but I don’t know how or why”

  “The Seeker” embraces the destructiveness of trying to find yourself in an increasingly dark world. Townshend told Rolling Stone in 1970, “Quite loosely, ‘The Seeker’ was just a thing about what I call Divine Desperation, or just Desperation. And what it does to people.”

• “I know if I go, things would be a lot better for her/I had things planned, but her folks wouldn’t let her”

  Another tribute to youth, but it’s a little more optimistic about drinking and drug use. Townshend said during the recording of The Who’s 2000 live album Live at the Royal Albert Hall, “When I wrote this song I was nothing but a kid, trying to work out right and wrong through all the things I did … There was almost nothing that I didn’t try to use, and somehow I’m alright.”

• “Long live rock, I need it every night”

  An autobiographical tale, “Long Live Rock” is one of The Who’s best anthems. Anyone that loves rock music and the joy of a raucous live performance can relate to this track on a very primal level.

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Author Erica Banas // Rock Music Reporter

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